Although Vibert's first musical experiences included punk group Five Minute Fashion and a Beastie Boys knockoff band called the Hate Brothers, he quickly moved into the low-cost environment of solo bedroom composition. Luke Vibert was raised in Cornwall, where he attended school with several friends who would later release music on the Aphex Twin-founded Rephlex label. After a long stretch of releases on Ninja Tune throughout the 2000s and early 2010s, and many more under other names, Vibert resumed the Wagon Christ alias with 2020's Recepticon, a typically playful example of his singular brand of sampledelia. Subsequent Wagon Christ recordings, such as 1998's Tally Ho!, have dabbled in manic drum'n'bass and acid house, while tightening up the grooves and sporting sharper sample manipulation. Beginning his career with some of his most abstract releases, Vibert hit his stride with his second Wagon Christ full-length, 1995's Throbbing Pouch, a set of otherworldly rhythms which has long been regarded as one of trip-hop's most influential releases. His material under all of his names has varied wildly since he first began releasing music in the early 1990s, but his work has always displayed a keen interest in left-field groove experimentation, as well a quick-witted sense of humor. polymath Luke Vibert, also known for projects such as Plug and Kerrier District. Wagon Christ is one of the earliest and longest-running pseudonyms of U.K.
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